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421Q945404 | Matemática, Porcentagem, Inglês, UEMG, UEMG, 2025

O número 6 é 1/4 % de qual número?
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422Q679957 | Matemática, Porcentagem, Prova 11, UEMG, UEMG, 2019

Fernanda e Nara têm 100 e 200 reais, respectivamente. Fernanda gastou 20% do que tinha, e Nara gastou 10%. Portanto, é correto afirmar que Fernanda gastou
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423Q679731 | Conhecimentos Gerais, Política, Prova 02, UEMG, UEMG, 2019

11 de setembro e segurança mundial

Os ataques de 11 de setembro (2001) introduziram um grau de organização e uma capacidade de destruição que não existiam nos atentados terroristas. O que nos deixa com a sensação de estarmos menos seguros é a consciência de que um pequeno grupo de terroristas pode infligir danos enormes sem que nada possa nos alertar para o perigo.

(Veja. S.P.: edição 1972, ano 39, n. 35, 6 set. 2006. p.100. Adaptado.)

Com os atentados de 2001 e o impacto psicológico provocado sobre a população norte-americana e mundial, o governo Bush veiculou um discurso no qual a nação norte-americana emergiu como a defensora dos valores do Ocidente diante do terrorismo. O episódio desencadeado pelos ataques foi

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424Q951363 | Inglês, Vestibular, UEMG, UEMG, 2019

Texto associado.

Fire Devastates Brazil's Oldest Science Museum

The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

By Michael Greshko ______________________________________

PUBLISHED September 6, 2018


Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

(…)

An Irreplaceable Loss

It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

“The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy ofSciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

“In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

“I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.”

On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

(…)

Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire.

Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

In the excerpt “Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon”, the word IT refers to:
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425Q951365 | Inglês, Vestibular, UEMG, UEMG, 2019

Texto associado.

Fire Devastates Brazil's Oldest Science Museum

The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

By Michael Greshko ______________________________________

PUBLISHED September 6, 2018


Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

(…)

An Irreplaceable Loss

It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

“The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy ofSciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

“In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

“I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.”

On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

(…)

Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire.

Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

The fire caused damages and losses in different areas of the National Museum, EXCEPT in:
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426Q679906 | Português, Uso dos conectivos, Prova 06, UEMG, UEMG, 2019

Para quem é pai / mãe e para aqueles que o serão

Há um período em que os pais vão ficando órfãos dos seus próprios filhos. É que as crianças crescem independentes de nós, como árvores tagarelas e pássaros estabanados. Crescem sem pedir licença à vida. Crescem com uma estridência alegre e, às vezes, com alardeada arrogância. Mas não crescem todos os dias de igual maneira. Crescem de repente. Um dia sentam-se perto de você no terraço e dizem uma frase com tal maturidade que você sente que não pode mais trocar as fraldas daquela criatura. Esses são os filhos que conseguimos gerar e amar, apesar dos golpes do vento, das colheitas, das notícias, e da ditadura das horas. E eles crescem meio amestrados, observando e aprendendo com os nossos acertos e erros. Principalmente com os erros que esperamos que não repitam. Há um período em que os pais vão ficando um pouco órfãos dos próprios filhos. Deveríamos ter ido mais à cama deles ao anoitecer para ouvir sua alma respirando conversas e confidências entre os lençóis da infância. Eles cresceram sem que esgotássemos neles todo o nosso afeto. Os pais ficaram exilados dos filhos. Tinham a solidão que sempre desejaram, mas, de repente, morriam de saudades daquelas “pestes”. Chega o momento em que só nos resta ficar de longe torcendo e rezando muito (nessa hora, se a gente tinha desaprendido, reaprende a rezar) para que eles acertem nas escolhas em busca da felicidade. E que a conquistem do modo mais completo possível. O jeito é esperar: qualquer hora podem nos dar netos. O neto é a hora do carinho ocioso e estocado, não exercido nos próprios filhos e que não pode morrer conosco. Por isso os avós são tão desmesurados e distribuem tão incontrolável carinho. Os netos são a última oportunidade de reeditar o nosso afeto. Por isso é necessário fazer alguma a mais, antes que eles cresçam. Aprendemos a ser filhos depois que somos pais. Só aprendemos a ser pais depois que somos avós...!

(Affonso Romano de Sant’Anna. Extraído do Jara Guia. Adaptado).

“Eles cresceram sem que esgotássemos neles todo o nosso afeto.”

Sem modificar o sentido da frase, pode-se substituir as palavras nela sublinhadas por

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427Q679920 | História e Geografia de Estados e Municípios, Prova 07, UEMG, UEMG, 2019

As ações de revitalização do centro de Belo Horizonte mudaram o cenário da região, que já convivia há alguns anos com imóveis vazios e com a atuação dos vendedores ambulantes. O centro voltou a ser atrativo, tanto para o comerciante, quanto para o consumidor, graças aos investimentos feitos na melhoria da região.

(http://goo.gl/36kCn. Acesso: 25/07/2012. Adaptado.)

Projetos de revitalização, como o de Belo Horizonte, mostram que a cidade é alvo de políticas urbanas que visam

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428Q679955 | Português, Morfologia, Prova 11, UEMG, UEMG, 2019

Eu sei que um outro deve estar falando Ao seu ouvido Palavras de amor como eu falei Mas eu duvido Duvido que ele tenha tanto amor E até os erros do meu português ruim.(...) (Roberto e Erasmo Carlos)

A preposição até tem o mesmo valor semântico do sublinhado no texto em:
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429Q951364 | Inglês, Vestibular, UEMG, UEMG, 2019

Texto associado.

Fire Devastates Brazil's Oldest Science Museum

The overnight inferno likely claimed fossils, cultural artifacts, and more irreplaceable collections amassed over 200 years.

By Michael Greshko ______________________________________

PUBLISHED September 6, 2018


Major pieces of Brazil's scientific and cultural heritage went up in smoke on September 2, as a devastating fire ripped through much of Rio de Janeiro's Museu Nacional, or National Museum. Founded in 1818, the museum is Brazil's oldest scientific institution and one of the largest and most renowned museums in Latin America, amassing a collection of some 20 million scientifically and culturally invaluable artifacts.

The Museu Nacional's holdings include Luzia, an 11,500-year-old skull considered one of South America's oldest human fossils, as well as the bones of uniquely Brazilian creatures such as the long-necked dinosaur Maxakalisaurus. Because of the auction tastes of Brazil's 19th-century emperors, the Museu Nacional also ended up with Latin America's oldest collection of Egyptian mummies and artifacts.

Even the building holds historical importance: It housed the exiled Portuguese royal family from 1808 to 1821, after they fled to Rio de Janeiro in 1807 to escape Napoleon. The complex also served as the palace for Brazil's post-independence emperors until 1889, before the museum collections were transferred there in 1902. In an September 5 email, Museu Nacional curator Débora Pires wrote that the entomology and arachnology collections were completely destroyed, as was most of the mollusk collection. However, technicians had braved the fire to save 80 percent of the mollusk holotypes—the specimens that formally serve as the global references for a given species. The museum's vertebrate specimens, herbarium, and library were housed separately and survived the fire.

(…)

An Irreplaceable Loss

It's not yet clear how the fire started, but it did begin after the museum was closed to the public, and no injuries have yet been reported. Firefighters worked through the night to douse the burnt-out shell of the main building, but it seems the blaze has already seared a gaping hole in many scientists' careers.

“The importance of the collections that were lost couldn't be overstated,” says Luiz Rocha, a Brazilian ichthyologist now at the California Academy ofSciences who has visited the Museu Nacional several times to study its collections. “They were unique as it gets: Many of them were irreplaceable, there's no way to put a monetary value on it.”

“In terms of [my] life-long research agenda, I'm pretty much lost,” says Marcus Guidoti, a Brazilian entomologist finishing up his Ph.D. in a program co-run by Brazil's Federal University of Rio Grande do Sul.

Guidoti studies lace bugs, an insect family with more than 2,000 species worldwide. The Museu Nacional held one of the world's largest lace bug collections, but the fire likely destroyed it and the rest of the museum's five million arthropod specimens. “Those type specimens can't be replaced, and they are crucial to understand the species,” he says by text message. “If I was willing to keep working on this family in this region of the globe, this was definitely a big hit.”

Paleontologist Dimila Mothé, a postdoctoral researcher at the Federal University of the State of Rio de Janeiro, adds that the blows to science extend beyond the collections themselves. “It's not only the cultural history, the natural history, but all the theses and research developed there,” she says. “Most of the laboratories there were lost, too, and the research of several professors. I'm not sure you can say the impact of what was lost.”

Brazil’s indigenous knowledge also has suffered. The Museu Nacional housed world-renowned collections of indigenous objects, as well as many audio recordings of indigenous languages from all over Brazil. Some of these recordings, now lost, were of languages that are no longer spoken.

“I have no words to say how horrible this is,” says Brazilian anthropologist Mariana Françozo, an expert on South American indigenous objects at Leiden University. “The indigenous collections are a tremendous loss … we can no longer study them, we can no longer understand what our ancestors did. It’s heartbreaking.”

On Monday, The Brazilian publication G1 Rio reported that ashes of burned documents—some still flecked in notes or illustrations—have rained down from the sky more than a mile away from the Museu Nacional, thrown aloft by the inferno.

(…)

Editor's Note: This story was updated on September 6, 2018, with new details about which artifacts survived the fire.

Taken from: https://www.nationalgeographic.com/science/2018/09/news-museu-nacional-fire-rio-de-janeiro-natural-history/. Access: 11 dez. 2018.

According to the text about the Brazilian National Museum, the fire
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430Q679884 | Português, Concordância Verbal e Nominal, Prova 10, UEMG, UEMG, 2019

Qual frase pode ser completada por qualquer das formas verbais colocadas nos parênteses?
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431Q679930 | Matemática, Problemas, Prova 07, UEMG, UEMG, 2019

Num fim de semana, um cinema exibiu dois filmes de gêneros diferentes, um romance e uma comédia. De um grupo de pessoas entrevistadas, que assistiram a pelo menos um dos filmes, 45 assistiram ao filme de romance, 50 ao de comédia e, destes, 15 assistiram a ambos. O número de pessoas entrevistadas é
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432Q944139 | Inglês, Vestibular, UEMG, UEMG, 2022

Texto associado.
Don’t Look Up: four climate experts on the polarising disaster film

Critics haven’t been kind to Adam McKay’s eco-satire, but many climate experts are lauding it. Here four give their views
Rarely has a film been as divisive as Adam McKay’s climate satire Don’t Look Up. Although it has been watched by millions, and is already Netflix’s third most watched film ever, the response from critics was largely negative. Many found its story of scientists who discover an asteroid heading for Earth a clumsy allegory for the climate crisis, while others just found it boring. But many in the climate movement have praised the film, and audience reviews have been generally positive.
We asked four climate experts to give their views on the film. Warning: spoilers ahead.

Ketan Joshi: ‘The main character of the climate crisis is absent’
[…]
Fiona Harvey: ‘The role of the technoloon, played by Mark Rylance, struck a chord’
[…]
After 17 years of reporting on the climate crisis, I doubted at first that the film had much to tell me about the frustrations of communicating a hypothetical catastrophe. As the film’s scientists first struggled to clothe their data in sober, measured terms, then broke into swearing, armwaving shrieks about provable imminent apocalypse, I nodded along. Yes, that’s what it feels like, and no, no one listens, not until it is too late.
Yet it was illuminating in unexpected ways – something I’ve always struggled with is how rational people can fail to grasp the scale of climate breakdown, how we could leave it so late. As the film shows, it’s partly because vested interests keep it that way, but it’s also just because we’re human. Believing in disaster before it strikes is fundamentally not how we work.
The role of the techno-loon, played by Mark Rylance, struck another chord. Cop26 was not a failure, though on the surface that was the obvious conclusion – it was more nuanced than that. Soon after the Cop26 circus left Glasgow, the danger of painting the outcome in such blackand-white terms became apparent, as wellmeaning experts concluded – in all seriousness – as talking didn’t work, our best hope would be for billionaires to bypass the UN and geoengineer the climate from space. Because obviously the answer to a vast uncontrolled experiment on the atmosphere is to conduct a vast uncontrolled experiment on the atmosphere.
[…]
Nina Lakhani: ‘Jennifer Lawrence’s character will resonate with many female climate scientists’
[…]
How Kate Dibiasky, the postgraduate student played by Jennifer Lawrence who discovered the comet, is portrayed as an unhinged hysterical woman, will resonate with many female climate scientists and activists whose crucial knowledge has been sidelined. The scene where her parents declare that they’re in favour of the jobs the comet will provide will resonate with millions of people, including me, trying to deal with relatives who have bought into political lies.
[…]
Damian Carrington: ‘It highlights the absurdity of staring disaster in the face, then looking away’
I loved Don’t Look Up, both as an entertainment and as a climate crisis parable. But the movie has been panned by many critics, with the main charge being that it is heavy-handed, blunt and too obvious. But that is exactly the point.
Scientists have been issuing blunt warnings about obvious dangers of global heating for years and have been ignored – carbon emissions are still rising. The film perfectly skewers the key ways in which they have been ignored: for short-term political expediency and short-term corporate profit.
In particular, the movie beautifully portrays the incredulity of scientists that their carefully constructed evidence can be dismissed with bluster such as “we’ll sit tight and assess” by leaders more concerned about today’s political weather and a media more interested in the minutiae of celebrities’ lives.
[…]
The point of the film is savagely highlighting the absurdity of staring disaster in the face, then looking away rather than acting. In that respect, it is a triumph.

Source: https://www.theguardian.com/film/2022/jan/08/dont-look-upfour-climate-experts-on-the-polarising-disaster-film. Access: 08/01/2022.
Considering Damian Carrington’s opinion on the movie Don’t look up, mark the INCORRECT option.
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433Q679925 | Português, Interpretação de Textos, Prova 07, UEMG, UEMG, 2019

Apaga o fogo, Mané

(Adoniran Barbosa)

Inês saiu dizendo

que ia comprar um pavio

pro lampião

Anoiteceu e ela não voltou

Fui pra rua feito louco

Pra saber o que aconteceu

Procurei na Central

Procurei no Hospital e no xadrez

Andei a cidade inteira

E não encontrei Inês

Voltei pra casa triste demais

O que Inês me fez não se faz

E no chão bem perto do fogão

encontrei um papel

escrito assim:

“Pode apagar o fogo, Mané, que eu não volto mais”.

(http://goo.gl/BYWps. Acesso: 24/12/2012. Adaptado.)

Tendo-se em vista a linguagem usada, o bilhete reproduzido no texto está inserido em

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434Q689657 | Português, Coesão e coerência, Vestibular, UEMG, UEMG, 2019

Texto associado.

TEXTO 1


Como evitar ou tratar a depressão? Com exercício físico, oras


A ciência confirma o papel da atividade física na prevenção e no controle da depressão, um mal que se alastra em proporções epidêmicas


É triste dizer, mas a depressão está no ar. Segundo a Organização Mundial da Saúde (OMS), mais de 300 milhões de pessoas sofrem com o problema atualmente – houve um aumento de 18% entre 2005 e 2015. E a tendência é que esse número não pare de crescer. Alarmada, a própria OMS lançou um apelo aos países: é hora de todos incluírem o tema em suas políticas públicas de saúde. Acontece que não basta dar remédio a esse montão de gente que está com a mente em apuros. A solução, tanto em matéria de prevenção como no tratamento, engloba outros ajustes, como mudanças de hábito. Nesse sentido, pode apostar: teremos de suar a camisa para reverter a situação. Literalmente.

Novos estudos reforçam o poder da atividade física para o bem-estar psicológico. A ponto de o exercício virar prescrição para pessoas deprimidas (ao lado da psicoterapia e dos medicamentos). “Hoje, em toda especialidade, qualquer médico vai listar uma série de benefícios das atividades esportivas. Na psiquiatria, isso se aplica à depressão”, diz o psiquiatra Marcelo Fleck, chefe do Departamento de Psiquiatria e Medicina Legal da Universidade Federal do Rio Grande do Sul.

Embora os impactos do esforço físico na esfera mental sejam um campo de pesquisa novo, multiplicam-se evidências de que caminhar, pedalar e malhar melhoram a qualidade de vida de quem anda pra baixo. “É provável que o efeito do exercício se aproxime muito ao dos antidepressivos”, conta Fleck.

Sabe-se que os esportes promovem a liberação de endorfina, o hormônio do prazer, e de outros neurotransmissores por trás da sensação de bem-estar. Experimentos recentes mostram que suar a camisa também estimula o crescimento de células nervosas no hipocampo, região do cérebro que rege a memória e o humor. Um alento e tanto se você pensar que essa estrutura costuma ser menor entre os sujeitos deprimidos.

Esse estímulo aos neurônios é o que ajuda a entender os reflexos positivos de longo prazo – vai muito além, portanto, da sensação imediata de prazer e dever cumprido após a academia. “A liberação de hormônios não é o que faz a pessoa melhorar. A superação da doença tem a ver com a regeneração neuronal”, revela o educador físico e doutor em psiquiatria Felipe Schuch, do Centro Universitário La Salle, em Canoas (RS). Só que esse efeito terapêutico depende de regularidade.

BRUM, Maurício; ORTIZ, Juan; KANITZ, Henrique. Como evitar ou tratar a depressão? Com exercício físico, oras. Disponível em: https://saude.abril.com.br/fitness/como-evitar-ou-tratar-a-depressao-com-exercicio/. Acesso: 11 dez. 2018.

Em relação a esse texto, é CORRETO afirmar que ele:
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435Q945403 | Raciocínio Lógico, Inglês, UEMG, UEMG, 2025

Em uma sequência numérica (2, 3, 6, 18, 108, ...). O próximo termo dessa sequência é:
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  4. ✂️

436Q679678 | Biologia, Uma visão geral da célula, Prova 01, UEMG, UEMG, 2019

A unidade básica de todo ser vivo é a célula. Referindo-se à função das diferentes células listadas abaixo, não se pode afirmar que a
  1. ✂️
  2. ✂️
  3. ✂️
  4. ✂️

437Q951359 | Geografia, Vestibular, UEMG, UEMG, 2019

Leia o fragmento a seguir:

“[Essa] é uma fonte de energia limpa, simples de ser obtida e que pode solucionar também parte do problema da quantidade de lixo que é descartado. Trata-se de uma mistura gasosa de metano e dióxido de carbono a partir da decomposição de restos orgânicos. Uma das formas de acelerar esse processo biológico é por meio de uso de biodigestores”.

Fonte: BALDRAIS, André. Ser protagonista – geografia. São Paulo. Edições SM. 2016. p. 66.

O trecho se refere a um tipo de energia alternativa denominada:

  1. ✂️
  2. ✂️
  3. ✂️
  4. ✂️

438Q679766 | Física, Dinâmica, Prova 09, UEMG, UEMG, 2019

Em ciências, o termo energia tem um sentido específico, nem sempre coincidente com aqueles usados na linguagem comum. O slogan abaixo em que o termo energia foi utilizado com um significado mais próximo do científico é
  1. ✂️
  2. ✂️
  3. ✂️
  4. ✂️

439Q679887 | Português, Coesão e coerência, Prova 10, UEMG, UEMG, 2019

Este texto representa o conteúdo de um e-mail enviado por um funcionário de uma grande empresa a seus colegas de trabalho.
Pessoal, Hoje vai rolar um churrasco aki em casa às 7 da noite. Quem vier, traz o que for beber, blz? Abs, Marcos
Suponha que Marcos também vai enviar um e-mail ao seu chefe, com quem tem pouca intimidade, para convidá-lo para o churrasco. Nessa situação, qual é a melhor forma de reescrever essa mensagem?
  1. ✂️
  2. ✂️
  3. ✂️
  4. ✂️

440Q679939 | Biologia, Prova 11, UEMG, UEMG, 2019

Uma cirurgia plástica pode ser considerada uma
  1. ✂️
  2. ✂️
  3. ✂️
  4. ✂️
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