ID: 971964•
Inglês•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

The worn wooden floorboards squeak under Rafael Molina’s heavy steps as he paces the saloon. Outside, the sound of galloping horses breaks the silence of the surrounding desert. All around him, the Old West town’s empty shops and abandoned houses look as if they have just been ransacked by cowboy bandits.

“When I was a kid, I could only dream about all this,” says the 68-year-old former actor and stuntman. “My aspiration was to see a film set firsthand. Today I own one of the most famous ones in the history of Western movies.”

But this busy movie site is located in Spain — not Montana or Texas. It’s one of three faux Old Western towns in the small village of Tabernas and the surrounding desert of the Almería province. Since the late 1950s, these rugged mountains, arid plains, and dry canyons have provided the backdrops for more than 170 movie Westerns, including The Good, The Bad and The Ugly (1966) and Once Upon a Time in The West (1968).

Molina belongs to a small community of local cowboy actors and stuntmen in Tabernas who have played a role in movies and TV shows since the first productions in the 1950s. They can perform anything from fistfights to horse drags. Knowledge and skills often pass from father to son, keeping tricks of the trade in the family. Steeped in the golden era of Westerns, these actors embody the values of their movie heroes: pride, bravado, freedom, and a trusting relationship with horses.

“I’ve always liked horses and the [U.S.] West,” says 29- year-old Ricardo Cruz Fernández, a stuntman and cowboy who appeared in recent productions including Game of Thrones. Fernández started his career as a cowboy after completing a stuntman course a decade ago.

Between productions, he performs daily shows at Fort Bravo for thousands of tourists who visit the set each year. In one show, Fernández portrays a bank robber who absconds with some gold. Visitors encounter him in the saloon, fist and (fake) gun fighting with actors playing his double-crossing accomplices. The town also offers cancan dance shows and set tours by horsedrawn wagon.

“I prefer to play the bad guy, because it gives me a wider range of possibilities,” says Fernández. “The good guy only has to keep things in order.”

Almería has hosted more than 500 productions, including blockbuster films (Patton, Terminator: Dark Fate) and TV shows (Doctor Who). “Our landscapes are very convenient. We have sea, desert, and snowy mountains all within a short distance,” says local producer Plácido Martínez. “We can serve as Texas, New Mexico, Arizona, California, and endless other natural settings.”


Matteo Fagotto. The Wild West lives on in southern Spain. In: National Geographic. Internet: (adapted)

Concerning the previous text and its linguistic aspects, judge the following item.

There are three fake Old West towns in the province of Almería, in Spain.

ID: 971966•
Inglês•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

The worn wooden floorboards squeak under Rafael Molina’s heavy steps as he paces the saloon. Outside, the sound of galloping horses breaks the silence of the surrounding desert. All around him, the Old West town’s empty shops and abandoned houses look as if they have just been ransacked by cowboy bandits.

“When I was a kid, I could only dream about all this,” says the 68-year-old former actor and stuntman. “My aspiration was to see a film set firsthand. Today I own one of the most famous ones in the history of Western movies.”

But this busy movie site is located in Spain — not Montana or Texas. It’s one of three faux Old Western towns in the small village of Tabernas and the surrounding desert of the Almería province. Since the late 1950s, these rugged mountains, arid plains, and dry canyons have provided the backdrops for more than 170 movie Westerns, including The Good, The Bad and The Ugly (1966) and Once Upon a Time in The West (1968).

Molina belongs to a small community of local cowboy actors and stuntmen in Tabernas who have played a role in movies and TV shows since the first productions in the 1950s. They can perform anything from fistfights to horse drags. Knowledge and skills often pass from father to son, keeping tricks of the trade in the family. Steeped in the golden era of Westerns, these actors embody the values of their movie heroes: pride, bravado, freedom, and a trusting relationship with horses.

“I’ve always liked horses and the [U.S.] West,” says 29- year-old Ricardo Cruz Fernández, a stuntman and cowboy who appeared in recent productions including Game of Thrones. Fernández started his career as a cowboy after completing a stuntman course a decade ago.

Between productions, he performs daily shows at Fort Bravo for thousands of tourists who visit the set each year. In one show, Fernández portrays a bank robber who absconds with some gold. Visitors encounter him in the saloon, fist and (fake) gun fighting with actors playing his double-crossing accomplices. The town also offers cancan dance shows and set tours by horsedrawn wagon.

“I prefer to play the bad guy, because it gives me a wider range of possibilities,” says Fernández. “The good guy only has to keep things in order.”

Almería has hosted more than 500 productions, including blockbuster films (Patton, Terminator: Dark Fate) and TV shows (Doctor Who). “Our landscapes are very convenient. We have sea, desert, and snowy mountains all within a short distance,” says local producer Plácido Martínez. “We can serve as Texas, New Mexico, Arizona, California, and endless other natural settings.”


Matteo Fagotto. The Wild West lives on in southern Spain. In: National Geographic. Internet: (adapted)

Concerning the previous text and its linguistic aspects, judge the following item.

According to the text, the actors of the small community in Tabernas avoid being like their movie heroes.

ID: 971985•
Administração Geral•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

Considerando o referencial teórico atual sobre estrutura organizacional, estratégia empresarial e planejamento estratégico, julgue o item que se segue.

A estratégia de diversificar produtos e de expandir mercados é decidida em nível tático, uma vez que depende da distribuição de recursos entre os departamentos ou unidades organizacionais.

ID: 972002•
Engenharia de Produção•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

Em uma organização, denomina-se cultura organizacional a criação, a preservação e os aprimoramentos da cooperação entre os indivíduos. Considerando esse conceito, julgue o item a seguir.

Entre os elementos formadores da cultura organizacional estão as contraculturas e os símbolos.

ID: 972009•
Contabilidade de Custos•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

Julgue o item a seguir, relativos à administração de sistemas de informação.

Para administrar os custos operacionais de TI, evitando-se as distorções de um simples rateio de custos, é indicado o método ABC (Activity Based Costing), cuja vertente econômica apoia um controle mais preciso dos gastos de cada atividade.

ID: 971782•
Administração Geral•
CESPE CEBRASPE•
Petrobras•
Administração•
2024

Julgue o item a seguir, acerca dos planejamentos estratégico, tático e operacional.

As decisões estratégicas têm, geralmente, alcance temporal prolongado e elevado grau de impacto; por sua vez, o planejamento tático está mais voltado aos meios para alcançar os objetivos especificados.

ID: 971822•
Legislação Federal•
CESPE CEBRASPE•
Petrobras•
Administração•
2024

Rafaela foi designada, de acordo com os preceitos legais, como fiscal de determinado contrato de execução de obras e serviços de engenharia em unidade operacional da PETROBRAS.

Com referência a essa situação hipotética, julgue o próximo item de acordo com o RLCP.

Rafaela poderá recusar parcela dos serviços eventualmente executada em desacordo com o contrato ou capaz de comprometer a segurança de pessoas e bens da empresa ou de terceiros.

ID: 971992•
Administração de Recursos Materiais•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

No que diz respeito à administração de compras e de produção, julgue o item a seguir.

Em condições de mercado favoráveis, é plausível o uso do conjunto de normas da série ISO 9000 para a seleção de um grupo de fornecedores altamente qualificados que possam ser utilizados como fontes habituais de fornecimento.

ID: 971999•
Administração Geral•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

Em uma organização, denomina-se cultura organizacional a criação, a preservação e os aprimoramentos da cooperação entre os indivíduos. Considerando esse conceito, julgue o item a seguir.

Na organização, os valores são próprios do grupo, muitas vezes diferentes dos estabelecidos pela sociedade em geral.

ID: 972000•
Engenharia de Produção•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

Em uma organização, denomina-se cultura organizacional a criação, a preservação e os aprimoramentos da cooperação entre os indivíduos. Considerando esse conceito, julgue o item a seguir.

Apesar das mudanças na alta administração, a cultura organizacional se mantém, pois já está consolidada na maioria das pessoas, sendo difícil estabelecer novos valores.

ID: 972007•
Governança de TI•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

Julgue o item; a seguir, relativos à administração de sistemas de informação.

Caso uma organização adote uma administração por processos na gestão dos sistemas informatizados, espera-se o fortalecimento da individualidade dada a concessão de autoridade aos colaboradores para a tomada de decisões.

ID: 969195•
Administração Geral•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

Considerando as técnicas relacionadas à mediação de conflitos e negociação, julgue o item seguinte.

O negociador do tipo controlador toma decisões rápidas, aborda diretamente o assunto e seu objetivo primordial é conseguir resultados, embora possa ser visto como insensível às pessoas.

ID: 971941•
Arquivologia•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

O texto mais célebre de A República é sem dúvida a Alegoria da Caverna, em que Platão, utilizando-se de linguagem alegórica, discute o processo pelo qual o ser humano pode passar da visão habitual que tem das coisas, “a visão das sombras”, unidirecional, condicionada pelos hábitos e preconceitos que adquire ao longo de sua vida, até a visão do Sol, que representa a possibilidade de alcançar o conhecimento da realidade em seu sentido mais elevado e compreendê-la em sua totalidade. A visão do Sol representa não só o alcance da Verdade e, portanto, do conhecimento em sua acepção mais completa, já que o Sol é “a causa de tudo”, mas também, como diz Sócrates na conclusão dessa passagem: “Nos últimos limites do mundo inteligível, aparece-me a ideia do Bem, que se percebe com dificuldade, mas que não se pode ver sem se concluir que ela é a causa de tudo o que há de reto e de belo. Acrescento que é preciso vê-la se se quer comportar-se com sabedoria, seja na vida privada, seja na vida pública.”.

De acordo com este texto, a possibilidade de um indivíduo tornar-se justo e virtuoso depende de um processo de transformação pelo qual deve passar. Assim, afasta-se das aparências, rompe com as cadeias de preconceitos e condicionamentos e adquire o verdadeiro conhecimento. Tal processo culmina com a visão da forma do Bem, representada pela matéria do Sol. O sábio é aquele que atinge essa percepção. Para Platão, conhecer o Bem significa tornar-se virtuoso. Aquele que conhece a justiça não pode deixar de agir de modo justo.


Danilo Marcondes. Textos básicos de ética: de Platão a Foucault. 1ª ed. Rio de Janeiro: Jahar, 2007, p. 31 (com adaptações).
Em relação às ideias, aos sentidos e aspectos linguísticos do texto precedente, julgue o item subsecutivo.

A supressão da vírgula empregada logo após o vocábulo “Assim”, que inicia o segundo período do segundo parágrafo, manteria a correção gramatical, embora alterasse o sentido original do texto.

ID: 971965•
Inglês•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

The worn wooden floorboards squeak under Rafael Molina’s heavy steps as he paces the saloon. Outside, the sound of galloping horses breaks the silence of the surrounding desert. All around him, the Old West town’s empty shops and abandoned houses look as if they have just been ransacked by cowboy bandits.

“When I was a kid, I could only dream about all this,” says the 68-year-old former actor and stuntman. “My aspiration was to see a film set firsthand. Today I own one of the most famous ones in the history of Western movies.”

But this busy movie site is located in Spain — not Montana or Texas. It’s one of three faux Old Western towns in the small village of Tabernas and the surrounding desert of the Almería province. Since the late 1950s, these rugged mountains, arid plains, and dry canyons have provided the backdrops for more than 170 movie Westerns, including The Good, The Bad and The Ugly (1966) and Once Upon a Time in The West (1968).

Molina belongs to a small community of local cowboy actors and stuntmen in Tabernas who have played a role in movies and TV shows since the first productions in the 1950s. They can perform anything from fistfights to horse drags. Knowledge and skills often pass from father to son, keeping tricks of the trade in the family. Steeped in the golden era of Westerns, these actors embody the values of their movie heroes: pride, bravado, freedom, and a trusting relationship with horses.

“I’ve always liked horses and the [U.S.] West,” says 29- year-old Ricardo Cruz Fernández, a stuntman and cowboy who appeared in recent productions including Game of Thrones. Fernández started his career as a cowboy after completing a stuntman course a decade ago.

Between productions, he performs daily shows at Fort Bravo for thousands of tourists who visit the set each year. In one show, Fernández portrays a bank robber who absconds with some gold. Visitors encounter him in the saloon, fist and (fake) gun fighting with actors playing his double-crossing accomplices. The town also offers cancan dance shows and set tours by horsedrawn wagon.

“I prefer to play the bad guy, because it gives me a wider range of possibilities,” says Fernández. “The good guy only has to keep things in order.”

Almería has hosted more than 500 productions, including blockbuster films (Patton, Terminator: Dark Fate) and TV shows (Doctor Who). “Our landscapes are very convenient. We have sea, desert, and snowy mountains all within a short distance,” says local producer Plácido Martínez. “We can serve as Texas, New Mexico, Arizona, California, and endless other natural settings.”


Matteo Fagotto. The Wild West lives on in southern Spain. In: National Geographic. Internet: (adapted)

Concerning the previous text and its linguistic aspects, judge the following item.

In the fifth paragraph, the word “stuntman” means a man who performs a dangerous action which needs to be done by someone skilled, especially instead of an actor in a film or television programme.

ID: 971971•
Inglês•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

The worn wooden floorboards squeak under Rafael Molina’s heavy steps as he paces the saloon. Outside, the sound of galloping horses breaks the silence of the surrounding desert. All around him, the Old West town’s empty shops and abandoned houses look as if they have just been ransacked by cowboy bandits.

“When I was a kid, I could only dream about all this,” says the 68-year-old former actor and stuntman. “My aspiration was to see a film set firsthand. Today I own one of the most famous ones in the history of Western movies.”

But this busy movie site is located in Spain — not Montana or Texas. It’s one of three faux Old Western towns in the small village of Tabernas and the surrounding desert of the Almería province. Since the late 1950s, these rugged mountains, arid plains, and dry canyons have provided the backdrops for more than 170 movie Westerns, including The Good, The Bad and The Ugly (1966) and Once Upon a Time in The West (1968).

Molina belongs to a small community of local cowboy actors and stuntmen in Tabernas who have played a role in movies and TV shows since the first productions in the 1950s. They can perform anything from fistfights to horse drags. Knowledge and skills often pass from father to son, keeping tricks of the trade in the family. Steeped in the golden era of Westerns, these actors embody the values of their movie heroes: pride, bravado, freedom, and a trusting relationship with horses.

“I’ve always liked horses and the [U.S.] West,” says 29- year-old Ricardo Cruz Fernández, a stuntman and cowboy who appeared in recent productions including Game of Thrones. Fernández started his career as a cowboy after completing a stuntman course a decade ago.

Between productions, he performs daily shows at Fort Bravo for thousands of tourists who visit the set each year. In one show, Fernández portrays a bank robber who absconds with some gold. Visitors encounter him in the saloon, fist and (fake) gun fighting with actors playing his double-crossing accomplices. The town also offers cancan dance shows and set tours by horsedrawn wagon.

“I prefer to play the bad guy, because it gives me a wider range of possibilities,” says Fernández. “The good guy only has to keep things in order.”

Almería has hosted more than 500 productions, including blockbuster films (Patton, Terminator: Dark Fate) and TV shows (Doctor Who). “Our landscapes are very convenient. We have sea, desert, and snowy mountains all within a short distance,” says local producer Plácido Martínez. “We can serve as Texas, New Mexico, Arizona, California, and endless other natural settings.”


Matteo Fagotto. The Wild West lives on in southern Spain. In: National Geographic. Internet: (adapted)

Concerning the previous text and its linguistic aspects, judge the following item.

It can be inferred from the text that many different productions were made in Almería because its landscapes are very convenient and diversified.

ID: 971975•
Inglês•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

In a world where many of us are glued to our smartphones, Dulcie Cowling is something of an anomaly — she has ditched hers. The 36-year-old decided at the end of last year that getting rid of her handset would improve her mental health. So, over Christmas she told her family and friends that she was switching to an old Nokia phone that could only make and receive calls and text messages.

She recalls that one of the pivotal moments that led to her decision was a day at the park with her two boys, aged six and three: “I was on my mobile at a playground with the kids and I looked up and every single parent — there was up to 20 — were looking at their phones, just scrolling away,” she says.

“I thought ‘when did this happen?’. Everyone is missing out on real life. I don’t think you get to your death bed and think you should have spent more time on Twitter, or reading articles online.”

Ms Cowling, who is a creative director at London-based advertising agency Hell Yeah!, adds that the idea to abandon her smartphone had built up during the covid-19 lockdowns.

“I thought about how much of my life is spent looking at the phone and what else could I do. Being constantly connected to lots of services creates a lot of distractions, and is a lot for the brain to process.”

She plans to use the time gained from quitting her smartphone to read and sleep more.

About nine out of 10 people in the UK now own a smartphone, a figure broadly replicated across the developed world. And we are glued to them — one recent study found that the average person spends 4.8 hours a day on their handset.

Yet for a small, but growing number of people, enough is enough.

Alex Dunedin binned his smartphone two years ago. “Culturally we have become addicted to these tools,” says the educational researcher and technology expert. “They are blunting cognition and impeding productivity.”

He has become happier and more productive since he stopped using a smartphone, he says.

Mr Dunedin doesn’t even have an old-fashioned mobile phone or even a landline anymore. He is instead only electronically contactable via emails to his home computer.

“It has improved my life,” he says. “My thoughts are freed up from constantly being cognitively connected to a machine that I need to feed with energy and money. I think that the danger of technologies is that they are emptying our lives.”

Yet, while some worry about how much time they spend on their handset, for millions of others they are a godsend.

“More than ever, access to healthcare, education, social services and often to our friends and family is digital, and the smartphone is an essential lifeline for people,” says a spokesperson for UK mobile network Vodafone.

“We also create resources to help people get the most from their tech, as well as to stay safe when they’re online — that’s hugely important.”


Suzanne Bearne. The people deciding to ditch their smartphones.
Internet: <www.bbc.com> (adapted).



Considering the previous text, judge the following item.

In the sentence (thirteenth paragraph) “Yet, while some worry about how much time they spend on their handset, for millions of others they are a godsend.”, the word “Yet” is synonymous with However.

ID: 971993•
Marketing•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

Para estabelecer uma conexão mais eficaz com os clientes, as empresas adotam uma abordagem sistemática na realização de um trabalho, organizando as atividades necessárias para atrair e reter clientes no processo de vendas.

Acerca dos esforços das empresas para estabelecer relacionamento com os clientes, julgue o item a seguir.

A venda pessoal pode ser terceirizada, total ou parcialmente, para vender produtos e serviços.

ID: 971821•
Legislação Federal•
CESPE CEBRASPE•
Petrobras•
Administração•
2024

Rafaela foi designada, de acordo com os preceitos legais, como fiscal de determinado contrato de execução de obras e serviços de engenharia em unidade operacional da PETROBRAS.

Com referência a essa situação hipotética, julgue o próximo item de acordo com o RLCP.

Rafaela deverá, sempre, manter o registro de reclamações, irregularidades, falhas e outras ocorrências que sejam consideradas relevantes pela fiscalização, na execução das atividades contratadas.

ID: 971974•
Inglês•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

In a world where many of us are glued to our smartphones, Dulcie Cowling is something of an anomaly — she has ditched hers. The 36-year-old decided at the end of last year that getting rid of her handset would improve her mental health. So, over Christmas she told her family and friends that she was switching to an old Nokia phone that could only make and receive calls and text messages.

She recalls that one of the pivotal moments that led to her decision was a day at the park with her two boys, aged six and three: “I was on my mobile at a playground with the kids and I looked up and every single parent — there was up to 20 — were looking at their phones, just scrolling away,” she says.

“I thought ‘when did this happen?’. Everyone is missing out on real life. I don’t think you get to your death bed and think you should have spent more time on Twitter, or reading articles online.”

Ms Cowling, who is a creative director at London-based advertising agency Hell Yeah!, adds that the idea to abandon her smartphone had built up during the covid-19 lockdowns.

“I thought about how much of my life is spent looking at the phone and what else could I do. Being constantly connected to lots of services creates a lot of distractions, and is a lot for the brain to process.”

She plans to use the time gained from quitting her smartphone to read and sleep more.

About nine out of 10 people in the UK now own a smartphone, a figure broadly replicated across the developed world. And we are glued to them — one recent study found that the average person spends 4.8 hours a day on their handset.

Yet for a small, but growing number of people, enough is enough.

Alex Dunedin binned his smartphone two years ago. “Culturally we have become addicted to these tools,” says the educational researcher and technology expert. “They are blunting cognition and impeding productivity.”

He has become happier and more productive since he stopped using a smartphone, he says.

Mr Dunedin doesn’t even have an old-fashioned mobile phone or even a landline anymore. He is instead only electronically contactable via emails to his home computer.

“It has improved my life,” he says. “My thoughts are freed up from constantly being cognitively connected to a machine that I need to feed with energy and money. I think that the danger of technologies is that they are emptying our lives.”

Yet, while some worry about how much time they spend on their handset, for millions of others they are a godsend.

“More than ever, access to healthcare, education, social services and often to our friends and family is digital, and the smartphone is an essential lifeline for people,” says a spokesperson for UK mobile network Vodafone.

“We also create resources to help people get the most from their tech, as well as to stay safe when they’re online — that’s hugely important.”


Suzanne Bearne. The people deciding to ditch their smartphones.
Internet: <www.bbc.com> (adapted).



Considering the previous text, judge the following item.

According to the text, handsets are essential for people because sometimes healthcare, education and social services are offered only through smartphones.

ID: 971978•
Inglês•
CESPE CEBRASPE•
Petrobras•
Administração•
2022

In a world where many of us are glued to our smartphones, Dulcie Cowling is something of an anomaly — she has ditched hers. The 36-year-old decided at the end of last year that getting rid of her handset would improve her mental health. So, over Christmas she told her family and friends that she was switching to an old Nokia phone that could only make and receive calls and text messages.

She recalls that one of the pivotal moments that led to her decision was a day at the park with her two boys, aged six and three: “I was on my mobile at a playground with the kids and I looked up and every single parent — there was up to 20 — were looking at their phones, just scrolling away,” she says.

“I thought ‘when did this happen?’. Everyone is missing out on real life. I don’t think you get to your death bed and think you should have spent more time on Twitter, or reading articles online.”

Ms Cowling, who is a creative director at London-based advertising agency Hell Yeah!, adds that the idea to abandon her smartphone had built up during the covid-19 lockdowns.

“I thought about how much of my life is spent looking at the phone and what else could I do. Being constantly connected to lots of services creates a lot of distractions, and is a lot for the brain to process.”

She plans to use the time gained from quitting her smartphone to read and sleep more.

About nine out of 10 people in the UK now own a smartphone, a figure broadly replicated across the developed world. And we are glued to them — one recent study found that the average person spends 4.8 hours a day on their handset.

Yet for a small, but growing number of people, enough is enough.

Alex Dunedin binned his smartphone two years ago. “Culturally we have become addicted to these tools,” says the educational researcher and technology expert. “They are blunting cognition and impeding productivity.”

He has become happier and more productive since he stopped using a smartphone, he says.

Mr Dunedin doesn’t even have an old-fashioned mobile phone or even a landline anymore. He is instead only electronically contactable via emails to his home computer.

“It has improved my life,” he says. “My thoughts are freed up from constantly being cognitively connected to a machine that I need to feed with energy and money. I think that the danger of technologies is that they are emptying our lives.”

Yet, while some worry about how much time they spend on their handset, for millions of others they are a godsend.

“More than ever, access to healthcare, education, social services and often to our friends and family is digital, and the smartphone is an essential lifeline for people,” says a spokesperson for UK mobile network Vodafone.

“We also create resources to help people get the most from their tech, as well as to stay safe when they’re online — that’s hugely important.”


Suzanne Bearne. The people deciding to ditch their smartphones.
Internet: <www.bbc.com> (adapted).



Considering the previous text, judge the following item.

In the sentence ‘They are blunting cognition and impeding productivity’ (ninth paragraph), the pronoun ‘They’ refers to the “nine out of 10 people in the UK who own a smartphone” (seventh paragraph).

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