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Text 7A2-I
If we believe that our own information age is defined by the digital structures of electronic communication, we must take early modern culture as inextricably bound to the medium of print. Printed text and image arose within a few years of each other in the mid-fifteenth century, credited to the German goldsmith Johannes Gutenberg, who seemingly drew together a series of extant yet disparate technologies into a new machine that could print several thousand sheets a day. The ancient oil or wine press, the goldsmith’s craft in fine metal carving, the late-medieval development of plentiful rag paper, and the recent formulation of more stable oil-based inks enabled Gutenberg’s ‘revolution’.
Similarly, early photography developed from a coming together of two otherwise disparate technologies: on the one hand, the pinhole camera through which capture a refected view of the world as an image, and on the other the chemical means to fix the effects of light exposure on paper. In both cases, these technologies shared aesthetic resources with other media available at the time, while also producing forms of representation that were uniquely theirs, and which offered access to new ways of seeing, and enabled new forms of subjectivity. The greatly expanded flow of visual information facilitated by these technological breakthroughs worked to quicken the circulation of knowledge, and the foundations of thought itself.
Genevieve Warwick and Richard Taws. After Prometheus:
Art and Technology in Early Modern Europe. In:
Art History – Journal of the Association of Art Historians.
Special Edition: Art and Technology in Early Modern Europe. p. 201 (adapted)
The words “inextricably” (first sentence of text 7A2-I) and “goldsmith” (second sentence of text 7A2-I) are respectively formed by the word formation processes known as
No que se refere à psicogênese da língua escrita e ao construtivismo de Jean Piaget, julgue os itens a seguir.
I A psicogênese da língua escrita é uma teoria desenvolvida por Emília Ferreiro e Ana Teberosky nos anos 80 do século XX e aprofundada por Esther Grossi na década seguinte.
II Na psicogênese da língua escrita, identifica-se forte influência dos pressupostos de Jean Piaget no que se refere à constituição da abordagem construtivista para a aquisição da leitura e da escrita, na medida em que se defende que o conhecimento é construído, e não transmitido de fora para dentro.
III O referencial teórico da psicogênese da língua escrita conduz ao entendimento de que a escrita é uma reconstrução real e inteligente, realizada a partir de um sistema de representação historicamente construído pela humanidade e que passa a ser inteligível para a criança quando ela se alfabetiza.
IV O construtivismo concebido por Jean Piaget incorpora ao fenômeno da aprendizagem aspectos biológicos, mas principalmente valoriza os aspectos sociais e culturais dos sujeitos.
Assinale a opção correta.
Text 7A2-I
If we believe that our own information age is defined by the digital structures of electronic communication, we must take early modern culture as inextricably bound to the medium of print. Printed text and image arose within a few years of each other in the mid-fifteenth century, credited to the German goldsmith Johannes Gutenberg, who seemingly drew together a series of extant yet disparate technologies into a new machine that could print several thousand sheets a day. The ancient oil or wine press, the goldsmith’s craft in fine metal carving, the late-medieval development of plentiful rag paper, and the recent formulation of more stable oil-based inks enabled Gutenberg’s ‘revolution’.
Similarly, early photography developed from a coming together of two otherwise disparate technologies: on the one hand, the pinhole camera through which capture a refected view of the world as an image, and on the other the chemical means to fix the effects of light exposure on paper. In both cases, these technologies shared aesthetic resources with other media available at the time, while also producing forms of representation that were uniquely theirs, and which offered access to new ways of seeing, and enabled new forms of subjectivity. The greatly expanded flow of visual information facilitated by these technological breakthroughs worked to quicken the circulation of knowledge, and the foundations of thought itself.
Genevieve Warwick and Richard Taws. After Prometheus:
Art and Technology in Early Modern Europe. In:
Art History – Journal of the Association of Art Historians.
Special Edition: Art and Technology in Early Modern Europe. p. 201 (adapted)
In the last two sentences of text 7A2-I, the word
Em relação ao ato de brincar, ao brinquedo, ao jogo e à ludicidade, julgue os próximos itens.
I O ato de brincar, o brinquedo e os jogos são elementos prejudiciais à aprendizagem de conceitos científicos.
II Brincar é um direito da criança e não requer mediação do professor em sala de aula.
III Ao implementarem atividades lúdicas em sala de aula, os docentes podem gerar um ambiente de aprendizagem prazeroso.
Assinale a opção correta.
Com base nessa situação hipotética e sabendo que r = h e que Vé o volume de um sólido, assinale a opção em que é apresentada corretamente a ordem crescente dos volumes dos três sólidos citados na situação hipotética.
x2/9 + y2/4 = 1
Nessa situação hipotética, a equação descreve uma
Com base nas informações apresentadas, assinale a opção que corresponde à distância entre o ponto P e o centro da circunferência B.
Text 7A3-I
As a science fiction writer, Octavia Butler forged a new path and envisioned bold possibilities. The future she wrote about is now our present moment. She wrote 12 novels and won each of science fiction’s highest honors. In 1995, she became the first science fiction writer to be awarded a MacArthur “genius” grant. She is also, increasingly, a writer recognized as one of the most important voices and visionaries of the 20th century, and now the 21st. As a Black woman and a writer, Butler demolished walls that seemed impermeable, writing on themes that seemed uncategorizable. Her ideas and characters continue to resonate with new readers when so many are looking for, if not hope, then a map for a way forward.
Her vision about the climate crisis, political and societal upheaval and the brutality and consequences of power hierarchies seems both sobering and prescient. However, as Butler often noted, being right was never the point. She didn’t want to be right — far from it. She wanted to give us time, and tools, to correct the course.
Lynell George. The Visions of Octavia Butler. Internet: <www.nytimes.com> (adapted).
In text 7A3-I, the clause “when so many are looking for, if not hope, then a map for a way forward” (last sentence of the first paragraph) is an adverbial clause that indicates
Text 7A3-I
As a science fiction writer, Octavia Butler forged a new path and envisioned bold possibilities. The future she wrote about is now our present moment. She wrote 12 novels and won each of science fiction’s highest honors. In 1995, she became the first science fiction writer to be awarded a MacArthur “genius” grant. She is also, increasingly, a writer recognized as one of the most important voices and visionaries of the 20th century, and now the 21st. As a Black woman and a writer, Butler demolished walls that seemed impermeable, writing on themes that seemed uncategorizable. Her ideas and characters continue to resonate with new readers when so many are looking for, if not hope, then a map for a way forward.
Her vision about the climate crisis, political and societal upheaval and the brutality and consequences of power hierarchies seems both sobering and prescient. However, as Butler often noted, being right was never the point. She didn’t want to be right — far from it. She wanted to give us time, and tools, to correct the course.
Lynell George. The Visions of Octavia Butler. Internet: <www.nytimes.com> (adapted).
In text 7A3-I, the clause “as Butler often noted” (second sentence of the second paragraph) is an adverbial clause that indicates
I No segundo período do primeiro parágrafo, o termo “consegue” concorda com a expressão “esse entendimento”.
II No primeiro período do terceiro parágrafo, o termo “procura” concorda com a expressão “tanta força”.
III No primeiro período do terceiro parágrafo, a palavra “fundada” concorda com o termo “sociedade”.
IV No primeiro período do quarto parágrafo, a forma verbal “defendem”, em suas duas ocorrências, concorda com o segmento “os que militam na ciência e compreendem o que seja essa atividade”.
Assinale a opção correta.
Uma criança de 3 anos de idade que tenha contato com livros, ouça histórias lidas por adultos, veja outras pessoas lendo e escrevendo, cultive e exerça práticas de leitura e de escrita, mas que ainda não tenha aprendido a ler e escrever formalmente,
I é alfabetizada, mas não letrada.
II apresenta certo nível de letramento, mas não é alfabetizada.
III domina convenções e estruturas linguísticas próprias, sendo, portanto, alfabetizada.
Assinale a opção correta.
No que se refere às teorias pedagógicas tecnicista e progressista, julgue os itens a seguir.
I Tanto a teoria tecnicista quanto a progressista partem do entendimento do aluno como depositário passivo dos conhecimentos que devem ser acumulados na mente através de associações.
II No contexto brasileiro, durante o regime militar, a teoria tecnicista na educação obteve grande ênfase e disseminação.
III Paulo Freire é um dos principais expoentes da teoria progressista.
IV A pedagogia progressista tem como eixo norteador a transformação social através da educação.
Assinale a opção correta.